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Line 34: SEXUAL NATURE, INCLUDING SEXUAL ASSAULT. ADDITIONALLY, Line 35: THERE ARE GRAPHIC IMAGES OF THE AFTERMATH OF A SHOOTING, Line 36: REDACTED IMAGES OF SEXUAL INTERCOURSE, REDACTED IMAGES OF Line 37: MINORS, SEX WORKERS, AND PROSTITUTES, DETAILS OF SEX Line 38: TRAFFICKING, AND THE ILLEGAL DISTRIBUTION OF GUNS, AND DRUGS Line 39: Line 40:
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Line 240: Line 241: Line 242: Line 243: c. Mr. Combs providing laced alcoholic beverages to minors and sex workers at his Line 244: homes in California, New York, the U. S. Virgin Islands1, and Florida, Line 245: d. Mr. Combs Chief of Staff, Kristina Khorram (“KK”) instructing her staff to retrieve Line 246: drugs so she can provide it to Mr. Combs for his consumption,
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Line 578: Line 579: Line 580: MR. COMBS AND J. COMBS SOLICITS, DRUGS AND ENGAGES IN ILLICIT SEX Line 581: ACTS WITH MINORS AND SEX WORKERS Line 582: 98. On or about July 2, 2023, in California, Mr. Combs had a "listening party" at his home. Line 583: 99. Present at this party was a R&B artist9 (REDACTED), J. Combs, sex workers, and some Line 584: underaged girls.
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Line 967: Shyne. Line 968: 165. Defendants executed their RICO Enterprise with threats of isolation from the music and Line 969: entertainment industry: parading powerful music industry executives such as Defendants Line 970: Lucian Charles Grainge, Ethiopia Habtemariam at his parties filled with sex workers, minors, Line 971: and illegal drugs, such as ecstasy, cocaine, GHB, ketamine, marijuana, and mushrooms. Line 972: 166. Defendants executed their RICO Enterprise with threats of nonpayment for work Line 973: completed, fake promises of cash payments ($250,000), producer of the year Grammy awards,
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Line 1070: “enterprise” as defined in 18 U.S.C. § 1961(4). Line 1071: 180. Defendants have unlawfully increased their profits by luring, and deceiving producers, Line 1072: musicians, writers, creators, and artists such as Plaintiff to transport drugs (ecstasy, cocaine, Line 1073: GHB, ketamine, marijuana, and mushrooms), transport firearms, solicit minors, exotic Line 1074: dancers, sex workers, and to utilize their talents and labor to produce music, and other tangible Line 1075: goods and services without compensation. Line 1076: 181. The RICO enterprise, which all Defendants have engaged in, and the activities of which
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Line 1078: including each Defendant and other unnamed co-conspirators. That association, in fact, was Line 1079: structured by various contracts and non-contractual relationships between the Defendants, by Line 1080: which Defendants assumed different roles in agreeing to carry out a mail and wire fraud Line 1081: scheme to acquire drugs, firearms, prostitutes, minors, sex workers and the labor of producers, Line 1082: musicians, writers, creators, and artists such as Plaintiff to utilize their talents and labor to Line 1083: produce music, and other tangible goods and services without compensation. Line 1084: 182. The members of the RICO enterprise all share a common purpose: to enrich themselves
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Line 1090: about murdering people, and bragging about bribing witnesses, and jurors in the criminal case Line 1091: concerning the 1999 NYC nightclub shooting with Shyne), threats of isolation from the music Line 1092: and entertainment industry (parading powerful music industry executives such as Defendants Line 1093: Lucian Charles Grainge, Ethiopia Habtemariam at his parties filled with sex workers, minors, Line 1094: and illegal drugs, such as ecstasy, cocaine, GHB, ketamine, marijuana, and mushrooms), Line 1095: threats of nonpayment for work completed, fake promises of cash payments ($250,000), Line 1096: producer of the year Grammy awards, and guaranteed access to future projects, a $20 million
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Line 1152: participated, managed and executed the RICO Enterprise by purchasing and distributing Line 1153: ecstasy, cocaine, GHB, ketamine, marijuana, and mushrooms, by purchase and distributing Line 1154: firearms, by requiring the solicitation of sexual encounters with prostitutes, sex workers, and Line 1155: minors, and by forcing artists, creatives, musicians, and producers to utilize their talents and Line 1156: labor to produce music, and other tangible goods and services without compensation. The Line 1157: RICO enterprise has functioned as a continuing unit and maintains an ascertainable structure Line 1158: separate and distinct from the pattern of racketeering activity.
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Line 1162: creatives, musicians, and producers. These false representations and omissions were designed Line 1163: to induce Defendants' artists, creatives, musicians, and producers to utilize their talents and Line 1164: labor to produce music and other tangible goods and services without compensation, as well Line 1165: as the solicitation of sexual encounters with prostitutes, sex workers, and minors, and the Line 1166: purchasing and distribution of illegal firearms and drugs. Line 1167: 188. As part of this scheme, Defendants required their artists, creatives, musicians, and Line 1168: producers to visit strip clubs wearing exclusive authentic Bad Boy merchandise and to use the
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Line 1199: provided their artists, creatives, musicians, and producers with this misrepresentative Line 1200: information, including via email all over interstate wireline communications systems and Line 1201: obtaining free labor, the distribution of drugs and firearms, as well as prostitutes, sex workers, Line 1202: and minors. Defendants obtained revenue via wire transfers, documents, and banking Line 1203: transactions that were exchanged via electronic means over interstate wires, thereby growing Line 1204: the enterprise and causing further injury to Plaintiff Jones as described throughout. Line 1205: 191. The Defendants’ scheme was reasonably calculated to deceive Plaintiff Jones, artists,
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Line 1205: 191. The Defendants’ scheme was reasonably calculated to deceive Plaintiff Jones, artists, Line 1206: creatives, musicians, and producers of ordinary prudence and comprehension through the Line 1207: execution of their complex and illegal scheme to misrepresent the effectiveness of soliciting Line 1208: prostitutes, sex workers, and minors and distributing drugs and guns that did not, would not, Line 1209: and could not lead to securing Grammy Awards, purchasing $20 million homes, participating Line 1210: on future projects, $250,000 cash payments, and meeting influential music industry Line 1211: executives such as Defendants Lucian Charles Grainge, and Ethiopia Habtemariam. Plaintiff
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Line 1252: interstate wires to solicit Plaintiff Jones and artists, creatives, musicians, and producers, and Line 1253: to use Plaintiff Jones and the artists, creatives, musicians, and producers to utilize their talents Line 1254: and labor to produce music, and other tangible goods and services without compensation, as Line 1255: well as the solicitation of sexual encounters with prostitutes, sex workers, and minors, and the Line 1256: purchasing and distribution of illegal firearms and drugs. Each of these acts was undertaken Line 1257: Line 1258:
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Line 1279: messages, and WhatsApp messages to distribute, interstate wires to disseminate the Line 1280: misleading information described herein as well as to receive profits from the artists, Line 1281: creatives, musicians, and producers from their forced solicitation of sex workers, and the Line 1282: solicitation of sexual encounters with prostitutes, sex workers, and minors, and the purchasing Line 1283: and distribution of illegal firearms and drugs. Each of these acts was undertaken with the Line 1284: knowledge and approval of all other Defendants in furtherance of the goals of their conspiracy. Line 1285: 197. Robin Greenhill, the accountant, would ensure the wiring, funds transfer, or cash payments
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Line 1315: businesses to fraudulently induce Plaintiff Jones and the artists, creatives, musicians, and Line 1316: producers to utilize their talents and labor to produce music, and other tangible goods and Line 1317: services without compensation, as well as the solicitation of and sexual encounters with Line 1318: prostitutes, sex workers, and minors, and the purchasing and distribution of illegal firearms Line 1319: and drugs. Line 1320: 203. The separate Racketeering Acts all relate to each other in that they were part of concerted Line 1321: actions by Defendants to use the endorsement and channels of the enterprise to operate their
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Line 1322: businesses to fraudulently induce Plaintiff Jones and the artists, creatives, musicians, and Line 1323: producers to utilize their talents and labor to produce music, and other tangible goods and Line 1324: services without compensation, as well as the solicitation of and sexual encounters with Line 1325: prostitutes, sex workers, and minors, and the purchasing and distribution of illegal firearms Line 1326: and drugs. Line 1327: 204. The Defendants’ wrongful conduct has caused injury to Plaintiff Jones, remains a part of Line 1328: their ongoing business practices, and remains a continuing threat to Plaintiff Jones and the
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Line 1332: continues to this day. Line 1333: 206. To further their goals, Defendants, working in concert, engaged in various forms of Line 1334: criminal activity, including the solicitation of and sexual encounters with prostitutes, sex Line 1335: workers, and minors, and the purchasing and distribution of illegal firearms and drugs. Line 1336: 207. Defendants’ ongoing pattern of racketeering activity has injured and continues to injure Line 1337: Plaintiff Jones. The Defendants’ pattern of forcing Plaintiff Jones and the artists, creatives, Line 1338:
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Line 1345: Line 1346: Line 1347: musicians, and producers to solicit sexual encounters with prostitutes, sex workers, and Line 1348: minors, and to purchase and distribute illegal firearms and drugs was the proximate cause of Line 1349: the injuries suffered by Plaintiff. Line 1350: Defendants Committed Multiple Acts of Mail Fraud in Violation of 18 U.S.C. § 1341 in Line 1351: Furtherance of the Enterprise
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Line 2055: to coerce Plaintiff Jones to engage in commercial sex acts. The cash directly formed part of Line 2056: the commercial nature of the sex acts. The cash was also a necessary and required part of Mr. Line 2057: Combs’ recruitment of Plaintiff Jones, as well as other sex workers, prostitutes and underage Line 2058: minors. By providing cash that Defendants Lucian Charles Grainge, Ethiopia Habtemariam, Line 2059: Motown Records, Love Records, and Universal Music Group knew would be used to fund Line 2060: the sex trafficking venture, Defendants Lucian Charles Grainge, Ethiopia Habtemariam, Line 2061: Motown Records, Love Records, and Universal Music Group actively participated in the
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Line 2243: knowledge that it was participating in Combs’ sex trafficking venture. Defendants Line 2244: Lucian Charles Grainge, Ethiopia Habtemariam, Motown Records, Love Records, and Line 2245: Universal Music Group also had constructive knowledge that Plaintiff James, and Line 2246: other underaged minors were being coercively sex trafficked by Combs. Its Line 2247: constructive knowledge extended to the names of Combs’ victims, because Combs Line 2248: and his associates knew the names of the victims. Mr. Combs had hundreds of cameras Line 2249: in his homes in LA, NYC, and Miami. Mr. Combs required the sex workers, and
Match found in file: ./text/2024-02-28_Diddy-v-Jones-sexual-assault-complaint(73p)_ocr.txt
Line 2463: Line 2464: Line 2465: (and unnamed “associates”) for violating the TVPA. Later, on about June 29, 2020, the same Line 2466: Office indicted Epstein’s co-conspirator, Ghislaine Maxwell, for conspiracy to entice minor Line 2467: victims to travel to be abused by Epstein. Mr. Combs, Defendants J. Combs, Khorram and Line 2468: her direct reports: Brendan Paul, Frankie Santella, and Moy Baun all engaged in the same Line 2469: activities as Mr. Epstein and Ms. Maxwell. In fact, Mr. Combs, Defendants J. Combs,
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